Selasa, 17 Januari 2012

Divine Horsemen: The Living Gods of Haiti

  • ISBN13: 9780914232636
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Heaven's Horses (The Four Horsemen of the Apocalypse)

There is a Great Tribulation coming. Some look for a catastrophe in 2012. We do not know what is next, but we want to be ready. The Four Horsemen of the Apocalypse coming on the scene will be our clue. Heaven's Horses show what that will look like.Heaven's Horses (The Four Horsemen of the Apocalypse)

There is a Great Tribulation coming. Some look for a catastrophe in 2012. We do not know what is next, but we want to be ready. The Four Horsemen of the Apocalypse coming on the scene will be our clue. Heaven's Horses show what that will look like.Book 4 in the Horsemen series.Just before the winter holiday called Unity Feast begins, P! hillipa is called to deliver an urgent message to a neighboring village. On her way home, she is knocked unconscious but awakens safe in a forest cabin. Her rescuer is a Horseman with elfish blue eyes and a coat as pure as freshly fallen snow. Exquisitely handsome and breathtakingly virile, he wants to claim her as his mate and for the first time in her life Phillipa has no desire to resist.Recovering from a near-fatal flight, Luther has been living in self-proclaimed exile. To him, a Fighting Carrier who lost his entire Gathering party is no longer fit to lead. His solitude is shattered by the arrival of a woman who sets his soul on fire. Enveloped by Phillipa's soft, warm curves and hungry for her kisses, he finds pleasure in her that all Horsemen wish for. Unfortunately she won't rest until she convinces him to face the truth about that tragic flight and take his place among the greatest Horsemen warriors in the world.Book 4 in the Horsemen series.Just before the winter ! holiday called Unity Feast begins, Phillipa is called to deliv! er an ur gent message to a neighboring village. On her way home, she is knocked unconscious but awakens safe in a forest cabin. Her rescuer is a Horseman with elfish blue eyes and a coat as pure as freshly fallen snow. Exquisitely handsome and breathtakingly virile, he wants to claim her as his mate and for the first time in her life Phillipa has no desire to resist.Recovering from a near-fatal flight, Luther has been living in self-proclaimed exile. To him, a Fighting Carrier who lost his entire Gathering party is no longer fit to lead. His solitude is shattered by the arrival of a woman who sets his soul on fire. Enveloped by Phillipa's soft, warm curves and hungry for her kisses, he finds pleasure in her that all Horsemen wish for. Unfortunately she won't rest until she convinces him to face the truth about that tragic flight and take his place among the greatest Horsemen warriors in the world.They are real. They are the harbingers of the Apocalypse. And only one woman stands betw! een them and us. THE FOUR HORSEMEN is a race-against-the-clock thriller starring Andie Sullivan. As the world's only "culturalist," she is employed by corporations and wealthy individuals to break through the barriers with any culture around the globe. Now, she faces the most challenging and dangerous assignment of her career. Hired by a ruthless businessman to infiltrate the mysterious tribe who serve as the protectors of the Four Horsemen's ancient secret, Andie is plunged into a mysterious world where every answer only opens the door to more questions. With a shadowy government force and a brutal terrorist also vying for the Horsemen's unfathomable power, Andie must collect them all and unlock their mysteries before time runs out.Includes photographs and drawings. Foreword by Joseph Campbell This is the classic, intimate study, movingly written with the special insight of direct encounter, which was first published in 1953 by the fledgling Thames & Hudson firm in a s! eries edited by Joseph Campbell. Maya Deren's Divine Horsemen ! is recog nized throughout the world as a primary source book on the culture and spirituality of Haitian Voudoun. The work includes all the original photographs and illustrations, glossary, appendices and index. It includes the original Campbell foreword along with the foreword Campbell added to a later edition.

Senin, 16 Januari 2012

Alien Anthology [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.

Personally supervised by director James Cameron, this special edition includes scenes eliminated prior to the film's 1986 release which broaden the narrative scope and enrich the emotional impact of the film.Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so ! long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall FineIn this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with ! skepticism - until the mysterious disappearance of colonists o! n LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.

Personally supervised by director James Cameron, this special edition includes scenes eliminated prior to the film's 1986 release which broaden the narrative scope and enrich the emotional impact of the film.Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention ! intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall FineBrace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!Review of Alien
A landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly det! ailed sets, ominous atmosphere, relentless suspense, and a fla! wless en semble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff Shannon

Review of Aliens
Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is t! alked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall Fine

Review of Alien 3
The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of! the solar system. As she tries to recover, she realizes that ! not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Review of Alien Resurrection
Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in! Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

Crossing Over

  • CROSSING OVER (DVD MOVIE)
Harrison Ford (Indiana Jones films) is on a quest for justice as an immigrations agent investigating the case of a missing illegal. In a cross-fire of crime and bureaucracy, fraud and murder, he must race against time to try to save a family from becoming collateral damage in the fight for the American dream. Critics rave, “Harrison Ford is terrific. An engrossing, thoroughly entertaining movie with great performances from a first-rate ensemble cast” (Pete Hammond, Hollywood.com). Co-starring Ashley Judd (Twisted), Ray Liotta (Smokin’ Aces), Jim Sturgess (21), and Cliff Curtis (10,000 BC); Crossing Over will keep you riveted until the final mystery unfolds.

Stills from Crossing Over (Click for larger image)


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The director of The Cooler tries a bigger canvas: Crossing Over is Wayne Kramer's take on nothing less than the vast subject of illegal immigration, coming at the topic from a dozen or so directions. Hefting the most star power is Harrison Ford, scurrying about as an L.A. Immigration and Customs officer whose conscience is sore from having trundled so many illegals back over the border--now he's worried about the child of a particularly vulnerable woman (Alice Braga). Cliff Curtis plays Ford's partner, an Iranian-American whose family ! is not as assimilated as his casual manner might suggest. There's a bit of pulp swagger in other sections of the picture, as Kramer tries to channel his inner Sam Fuller: for instance, an Immigration official (Ray Liotta at his piggiest) coerces an Australian actress (Alice Eve) into a sex-for-green-card affair, and an adolescent Arab-American girl (Summer Bishil, from Towelhead) gives a cheeky speech at school that puts her family under suspicion as possible terrorists. Other strands of this scenario aren't as urgent, as Ashley Judd dreams of adopting the African child she's tending, and Jim Sturgess (Across the Universe), as a British non-believer, tries to convince Immigration authorities of his commitment to working at a Jewish school. The movie's single best scene has him "auditioning" to convince a rabbi of his commitment to Judaism, a funny moment that also carries an echo of the history of Jewish exodus. The movie has a tendency to bash from one thing ! to the next, too neatly connecting its Crash-like plotl! ines, li ke a really spirited first draft of a better movie. --Robert Horton

Hannah Montana: The Movie

  • Get ready to be dazzled by Disney's big-screen smash hit -- HANNAH MONTANA THE MOVIE -- filled with laughs, adventure, family fun and fabulous music! Come along for the ride and see Hannah like never before as she returns to her roots and faces the most important decision of her life! When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad
Get ready to be dazzled by Disney's big-screen smash hit Hannah Montana the Movie, filled with laughs, adventure, family fun and fabulous music! Come along for the ride and see Hannah like never before as she returns to her roots and faces the most important decision of her life! When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glam! our of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana. With a little help from her friends and awesome guest stars Taylor Swift, Rascal Flatts and Vanessa Williams, will she figure out whether to choose Hannah or Miley? Hannah Montana the Movie is a heartfelt major motion picture perfect for the entire family.It's easy to forget that superstars are real people, but when Hannah Montana (Miley Cyrus) shows signs of forgetting her roots as Miley Stewart, her father Robbie Ray (Billy Ray Cyrus) puts his foot down. Miley has always strived to live a relatively normal teenage life, but when late stage entrances, exclusive shopping trips that end in brawling catfights, and ditching friends and family in favor of Hannah appearances become commonplace, Robbie Ray whisks her away from a date at the New York Music Awards for a dose of hometown reality at her grandma's in Crowley Corners, Tenn. Unfortu! nately, she's followed by Oswald (Peter Gunn), a relentless re! porter f rom Britain's Bon Chic Magazine. Miley's initial fury at being tricked into staying at Grandma's spurs her to commence operation Save Hannah Montana, but her bad attitude eventually gives way to resignation and then the beginnings of reconnection between Miley and her family. As the days progress, Miley glimpses her growing self-absorption, finds she's attracted to old elementary friend Travis (Lucas Till), realizes that her selfishness has negatively affected her dad's personal relationships, and is drawn into her grandma's fight against the commercialization of Crowley Corners. A boastful impulse leads to Miley being charged with bringing Hannah Montana to Crowley Corners for a benefit concert; when Miley's worlds collide onstage, she reveals her true identity and declares that Hannah Montana is no more. Can Miley's hometown possibly keep Miley's secret, silence the reporter, and convince Miley that she can have the best of both worlds, or is this the end! of Hannah Montana? Well-known Hannah Montana songs, including "Best of Both Worlds" and "Let's Get Crazy" are featured in the film as well as the fun new song "Hoedown Throwdown" (complete with line dance instruction), the heartfelt "Butterfly Fly Away," and the inspirational "The Climb." More important than the great music is the film's wholesome message about staying true to oneself and one's family and friends. (Ages 7 and older) --Tami Horiuchi


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Stills from Hannah Montana: The Movie (Click for larger image)




Jumat, 13 Januari 2012

Bridge To Terabithia (Full Screen Edition)

  • Digital Imagination: Bringing Terabithia to Life!
  • Behind the Book: The Themes of Bridge to Terabithia"
  • Music video "Keep Your Mind Wide Open"

Jess Aarons' greatest ambition is to be the fastest runner in his grade. He's been practicing all summer and can't wait to see his classmates' faces when he beats them all. But on the first day of school, a new girl boldly crosses over to the boys' side and outruns everyone.

That's not a very promising beginning for a friendship, but Jess and Leslie Burke become inseparable. Together they create Terabithia, a magical kingdom in the woods where the two of them reign as king and queen, and their imaginations set the only limits. Then one morning a terrible tragedy occurs. Only when Jess is able to come to grips with this tragedy does he finally understand the strength and courage Leslie has given him.

The story starts out simp! ly enough: Jess Aarons wants to be the fastest boy in the fifth grade--he wants it so bad he can taste it. He's been practicing all summer, running in the fields around his farmhouse until he collapses in a sweat. Then a tomboy named Leslie Burke moves into the farmhouse next door and changes his life forever. Not only does Leslie not look or act like any girls Jess knows, but she also turns out to be the fastest runner in the fifth grade. After getting over the shock and humiliation of being beaten by a girl, Jess begins to think Leslie might be okay.

Despite their superficial differences, it's clear that Jess and Leslie are soul mates. The two create a secret kingdom in the woods named Terabithia, where the only way to get into the castle is by swinging out over a gully on an enchanted rope. Here they reign as king and queen, fighting off imaginary giants and the walking dead, sharing stories and dreams, and plotting against the schoolma! tes who tease them. Jess and Leslie find solace in the sanct! uary of Terabithia until a tragedy strikes and the two are separated forever. In a style that is both plain and powerful, Katherine Paterson's characters will stir your heart and put a lump in your throat.Winner of the 1978 Newbery Medal for the most distinguished contribution to American Literature for Children.BRIDGE TO TERABITHIA - DVD MovieBased on Katherine Paterson's young-adult novel and filmed in picturesque New Zealand, Bridge to Terabithia has lessons to impart about empathy and self-expression, but the tone is never heavy-handed. Jesse (sleepy-eyed Josh Hutcherson, Zathura), a fifth-grade loner, lives in the country with his parents and four sisters, including pesky May Belle (Bailee Madison), who adores him. His strict father (Robert Patrick, The Terminator 2) works in a hardware store. Money is tight and classmates make fun of his hand-me-downs, so Jesse finds refuge in running and drawing. Everything changes when two writers and their daughter Lesli! e (wide-eyed AnnaSophia Robb, Charlie and the Chocolate Factory) move in next door. Leslie is faster than all the boys, which initially puts Jesse off, but the two soon bond over their love of make-believe. In the forest, they find a creek that can only be crossed by rope. Leslie names the land on the other side Terabithia, where they imagine themselves rulers of the kingdom. Jesse and Leslie also connect with their unconventional music teacher, Ms. Edmonds (Zooey Deschanel, Elf), who encourages their creativity. Despite the tension at home, Jesse's personal life is finally coming together when the unthinkable happens. Will he revert to his anti-social ways or will he grow from the experience? Though aimed at all ages, pre-school students may find Terebithia's creatures frightening. For grade-school kids and up, however, there's much to savor in this smartly written, sensitively acted film. --Kathleen C. Fennessy

Rabu, 11 Januari 2012

MAC Amplified Creme Lipstick ~Girl About Town~ NIB

  • New in box, always authentic here!
  • Description: Fabulous fuchsia
When Lauren Smith begrudgingly returns to the small Vermont town where she grew up to arrange for the sale of her late grandmother's old farmhouse, she has everything she's always worked for. Lauren drives a Mercedes. She's engaged to one of the most powerful businessmen in the country and wears a three-carat diamond ring to prove it. She lives in a penthouse on Central Park West. Yes, Lauren has everything she considers important. She is smugly prepared for any eventuality in dealing with these country people so Lauren isn't surprised when the hot water isn't working at the old house. No problem. She simply looks in the phone book and calls the local plumber. The moment Caleb Cochran steps through the old screen door to fix the hot water, the glittery facade that masquerades as Lauren's life begins to crumble arou! nd her. Though she tries hard to deny their mutual, magnetic attraction, Lauren is finally forced to reevaluate her focus and come face-to-face with her true self. Small Town Girl is a story of discovering the true meaning of life and love.No Description AvailableNo Description AvailableMeet Olga, a woman who "possessed a mind so warped she made sadism a full-time business!" In the first of the series, Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives into her White Slaves of Chinatown. But Olga has her tender side too and, in the mood for romance, selects an occasional slave for a little loving: "The disease called Olga cannot be fought!" And after relocating to New Jersey, Olga's House of Shame is open for business! With the help of her malignant brother and a sweet-faced victim-turned-protege, Olga runs a crime syndicate while gleefully engaging in unhealthy extracurricular activities in this, the most outrageous of the series. ! Finally things take a bizarre turn with the most obscure Olga ! of them all, Olga's Dance Hall Girls, in which a new brat-faced Olga recruits suburban housewives as "hostesses" for a dance hall which is really just a front for -- are you ready? -- a satanic cult! Ouch! For maximum effect, view while shackled. Armed with a rousing musical score by Bob Merrill ( Funny Girl ), dance numbers staged by Bob Fosse and a sparkling cast led by Gwen Verdon and Thelma Ritter, New Girl in Town became a Broadway smash in '57. Here's its original-cast soundtrack: Roll Yer Socks Up; On the Farm; Sunshine Girl; It's Good to Be Alive , and more!MAC Amplified Creme Lipstick -- Girl About Town (Boxed, New)

Chocolat

  • ISBN13: 9780140282030
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed! in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonCho! colate is the beautiful and captivating comedy from the acclai! med dire ctor of the Cider House Rules! Nobody could have imagined the impact that the striking Vianne(Binoche) would make when she arrived in a tranquil, old-fashioned French town. In her very unusual chocolate shop, Vianne begins to create mouth-watering confections that almost magically inspire the strailaced villagers to abandon themselves to temptation and happiness! But it is not until another stranger, the handsome Roux arrives in town that Vianne is finally able to recognize her own desires!With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad ! metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable ! (if not for Molina's rich performance, the mayor would be a ca! ricature ), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonGreeted as "an amazement of riches . . . few readers will be able to resist" by The New York Times, Chocolat is an enchanting novel about temptation, pleasure, and the ultimate folly of self-denial. The town of Lansquenet, solemnly preparing for Lent, is set astir when Vianne Rocher and her spirited daughter arrive on the heels of the carnival and open a chocolate shop across the square from the church. Vianne's uncanny ability to perceive her customers' private discontents and alleviate them with just the right chocolate treats quickly charms the villagers--and enrages Pere Reynaud, the conservative local priest. Certain that only a witch could create such magical cures, Reynaud vows to block the chocolate festival Vianne plans for Easter Sunday and to run her out of town forever. Witch or not (she'll never tell), Vian! ne soon sparks a dramatic confrontation between those who prefer the cold comforts of the church and those who revel in their newly discovered taste for pleasure.

"Delectable . . . delicious"-- (USA Today)

"Part fairy tale, part morality tale, laden with high farce and tongue-in-cheek humor . . . suffused with lush detail and finely drawn interesting characters."-- Philadelphia Inquirer

"Harris writes with verve and charm . . . if Colette and Hawthorne had collaborated, the result might have been this serious delight."-- The New Yorker

The perfect treat for Valentine's Day and EasterVianne Rocher and her 6-year-old daughter, Anouk, arrive in the small village of Lansquenet-sous-Tannes--"a blip on the fast road between Toulouse and Bourdeaux"--in February, during the carnival. Three days later, Vianne opens a luxuriant chocolate shop crammed with the most tempting of confections and offering a mouth-watering variety of h! ot chocolate drinks. It's Lent, the shop is opposite the chur! ch and o pen on Sundays, and Francis Reynaud, the austere parish priest, is livid.

One by one the locals succumb to Vianne's concoctions. Joanne Harris weaves their secrets and troubles, their loves and desires, into her third novel, with the lightest touch. There's sad, polite Guillame and his dying dog; thieving, beaten-up Joséphine Muscat; schoolchildren who declare it "hypercool" when Vianne says they can help eat the window display--a gingerbread house complete with witch. And there's Armande, still vigorous in her 80s, who can see Anouk's "imaginary" rabbit, Pantoufle, and recognizes Vianne for who she really is. However, certain villagers--including Armande's snobby daughter and Joséphine's violent husband--side with Reynaud. So when Vianne announces a Grand Festival of Chocolate commencing Easter Sunday, it's all-out war: war between church and chocolate, between good and evil, between love and dogma.

Reminiscent of Herman Hesse's short story "Au! gustus," Chocolat is an utterly delicious novel, coated in the gentlest of magic, which proves--indisputably and without preaching--that soft centers are best. --Lisa Gee, Amazon.co.uk

Boiler Room

  • TESTED
Six students lie dead at the hands of a fellow classmate. In the aftermath an unlikely bond is about to form. Alicia (Busy Philipps "Dawson's Creek") is a Goth misfit who hates the world and everyone in it and may know more about the shooting than she's telling. Deanna (Erika Christensen Swimfan) one of the injured is a classic overachiever confined to a hospital bed. Brought together by fate united by secrets they couldn't be less alike or need each other more.System Requirements:Running Time: 132 Min.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 043396018952 Manufacturer No: 01895DVD'SThe intense soundtrack of Boiler Room is a fitting underscore for this movie, which pulses with the vigor of young, rich, amoral men wreaking havoc. This is not the antisocietal havoc of Fight Club, but the more deliberate mayhem that comes from greed run amok. The testosterone-junkie! brokers of J.T. Marlin (the only female in the office is Abby, the receptionist and love interest, played by Nia Long) are out to make the sale, and whether that sale is legal or ethical doesn't matter.

Seth Davis (Giovanni Ribisi) is a 19-year-old college dropout who strives for approval from his father (Ron Rifkin), a judge who is horrified that his son operates a 24-hour illicit casino. When an old friend visits the casino with a fellow broker, Davis is impressed by their wads of money and yellow Ferrari, and decides to join the firm. In no time he's making sales and settling into the groove of the office and all the after-hours perks, but the dream fades when Davis discovers the scam that is making all of the brokers wealthy beyond their dreams.

Borrowing heavily from Wall Street and Glengarry Glen Ross, Boiler Room is at its best when dealing with matters of money, and powerful scenes of Davis learning to be a "closer" showcase the signifi! cant talent of Ribisi, Nicky Katt, and Vin Diesel. The movie f! lounders when developing the relationship between Davis and his father, becoming sentimental and trite. However, as a fable of modern society and a nostalgic vehicle about the days of yuppies past, Boiler Room is right on the money. --Jenny Brown

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