Selasa, 08 November 2011

Dog Heaven

  • ISBN13: 9780590417013
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Get ready for plenty of thrills and excitement as everyone's favorite pups unleash their charm in this lively tale of courage, love and friendship that is captivating entertainment and dog gone good fun for all! All dogs do go to heaven...and some lucky few return to earth. That's what happens when mischievous mutt Charlie Barkin (Charlie Sheen) is asked to retrieve Gabriel's horn when itis stolen from heaven. Seeing his chance to have some fun, Charlie recruits his sidekick Itchy (Dom DeLuise) and happily steps up to the challenge. Immediately, the two get side tracked into trouble...until a sweet young runaway boy and a beautiful Irish setter (Sheena Easton) set them straight. But time is running ou! t, and if Charlie is going to secure the valuable horn, he will have to prove himself worthy of his wings by taking on two incredible villains in a hair-raising, breathtaking race to the finish!While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs Go to Heaven, this 1995 sequel has some nice moments of its own. Charlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop s! ongs by the legendary songwriting team of Barry Mann and Cynth! ia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom Keogh Disc 1: ALL DOGS GO TO HEAVEN Disc 2: ALL DOGS GO TO HEAVEN 2All Dogs Go To Heaven

All Dogs Go To Heaven is a musical, animated exploration of the fundamental conflict between good and bad and of the notions of caring and friendship. While all dogs may be welcome in heaven, the open admission policy doesn't necessarily ensure that a dog is worthy of, or even ready to accept his heavenly blessing. When criminal dog Charlie Barker (Burt Reynolds) and his sidekick Itchy (Dom DeLuise) escape from the dog pound, it isn't long before they realize that former business partner-in-crime Carface (Vic Taybak) has turned against them. Carface puts a per! manent end to the partnership by killing Charlie, but Charlie ascends to heaven only to spurn his promised life devoid of surprises and fight to return to a life of vengeance, danger, and adventure on earth. When Charlie realizes that Carface has been using the animal-talking talents of young orphan girl named Anne-Marie (Judith Barsi) to further the success of his gambling business, Charlie steals her away and starts his own lucrative business venture. Charlie and Anne-Marie begin to become friends, but Anne-Marie's strong sense of what is right conflicts with Charlie's complete lack of moral standards and puts their friendship at risk. Worse, Charlie's quest for revenge threatens his own life as well as the lives of his friends Anne-Marie and Itchy. (Ages 6 and older) --Tami Horiuchi

All Dogs Go To Heaven 2

While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs ! Go to Heaven, this 1995 sequel has some nice moments of it! s own. C harlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop songs by the legendary songwriting team of Barry Mann and Cynthia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom KeoghSet in 1939 New Orleans, ! this colorful, song-filled story centers on Charles B. Barkin, a roguish German Shepherd with the charm of a con man and the heart of a marshmallow. Out for revenge against his double-crossing former partner, a cigar-chomping pit bull known as Carface, Charlie finds himself guardian to a lonely little orphan named Anne-Marie. Her astounding ability to talk to animals leads this unlikely pair on an adventure packed with thrills, laughs, tears and true love.All Dogs Go To Heaven is a musical, animated exploration of the fundamental conflict between good and bad and of the notions of caring and friendship. While all dogs may be welcome in heaven, the open admission policy doesn't necessarily ensure that a dog is worthy of, or even ready to accept his heavenly blessing. When criminal dog Charlie Barker (Burt Reynolds) and his sidekick Itchy (Dom DeLuise) escape from the dog pound, it isn't long before they realize that former business partner-in-crime Carface (Vic Tayb! ak) has turned against them. Carface puts a permanent end to ! the part nership by killing Charlie, but Charlie ascends to heaven only to spurn his promised life devoid of surprises and fight to return to a life of vengeance, danger, and adventure on earth. When Charlie realizes that Carface has been using the animal-talking talents of young orphan girl named Anne-Marie (Judith Barsi) to further the success of his gambling business, Charlie steals her away and starts his own lucrative business venture. Charlie and Anne-Marie begin to become friends, but Anne-Marie's strong sense of what is right conflicts with Charlie's complete lack of moral standards and puts their friendship at risk. Worse, Charlie's quest for revenge threatens his own life as well as the lives of his friends Anne-Marie and Itchy. (Ages 6 and older) --Tami Horiuchi

Features include:

•MPAA Rating: NR
•Format: Blu-Ray
While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat g! raceless All Dogs Go to Heaven, this 1995 sequel has some nice moments of its own. Charlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop songs by the legendary songwriting team of Barry Mann and Cynthia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs! , either can't or won't stretch much as an artist here. --T! om Keogh

In Newbery Medalist Cynthia Rylant's classic bestseller, the author comforts readers young and old who have lost a dog. Recommended highly by pet lovers around the world, Dog Heaven not only comforts but also brings a tear to anyone who is devoted to a pet. From expansive fields where dogs can run and run to delicious biscuits no dog can resist, Rylant paints a warm and affectionate picture of the ideal place God would, of course, create for man's best friend. The first picture book illustrated by the author, Dog Heaven is enhanced by Rylant's bright, bold paintings that perfectly capture an afterlife sure to bring solace to anyone who is grieving.

Brothers & Sisters: The Complete Fourth Season

  • BROTHERS & SISTERS: THE COMPLETE FOURTH SEASON-6-D (DVD MOVIE)
Four adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played! respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and th! ey look to seek revenge.Bound by love for their slain adoptive! mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the ! way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it wa! lks a fine line of credibility with a mythic vengeance plot (r! ecalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled! with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, G! arrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the! killers , only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage ! to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Ter! rence Howard as a tenacious detective) lend emotional dimensio! n to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonStudio: Paramount Home Video Release Date: 05/18/2010Welcome the Walkers back into your home with the emotional fourth season of the warm and witty drama that explores the triumphs and tragedies of the American family. Featuring one of the most celebrated casts on television, including Sally Field, Calista Flockhart, Rob Lowe, and Patricia Wettig, ABC’s Brothers And Sisters is “instantaneously seductive,” raves the Wall Street Journal.

No matter how much life changes, family stays the same. As new challenges arise for the Walkers, they learn to rely on one another more than ever before. Kitty’s personal revelation devastates the entire family, Nora begins a relationship with a younger man and Justin and Rebecca’s Malibu wedding doesn’t quite go as planne! d. Relive all the drama and every touching moment of Season Four, complete with never-before-seen bonus features available only on DVD!The Walker family of Brothers and Sisters grows more complex with every season--a delight for viewers who get plenty of comedy along with a crisply written dramatic series. The ensemble cast is always top-notch across the board, but this season belongs to Calista Flockhart as Kitty, who faces serious health and personal challenges with believable vulnerability alternating with determination. This season also sees a delicious--and younger--love interest for Nora (Sally Field), and a new French beau for Sarah (Rachel Griffiths). As the Walker family tries to rally around Kitty and her shocking news, however, their messy lives tend to spiral out of tidy plot lines. This season Kitty's marriage to Robert (the always excellent Rob Lowe, who lends the cast some needed gravitas) faces speed bumps bigger than usual, while her brother Kevin (M! atthew Rhys) and his partner Scotty (Luke Macfarlane) decide t! o expand their family--and to start a new business. Another Walker offspring is discovered, and he brings with him an element of menace.

Viewers adore Brothers and Sisters precisely because there's so much going on with the characters they have grown to love, but this season has perhaps a few too many subplots to follow and get invested in. (With the steely Patricia Wettig, playing Holly, at the helm of Ojai Foods, is there really any doubt the company will survive its economic challenges?) But the deeply involving story of Kitty and her health issues--and Flockhart's inspired performance--is, as it should be, the silk thread that holds together season 4 of Brothers and Sisters--and the Walker family.

The boxed set, like those of previous seasons, is rich in material for fans. There are more than a dozen deleted scenes, all well acted and nuanced, and the bloopers are abundant and hilarious. There is also a feature about the cast members and how bonded they are! off-camera--to the point where they play softball and even do a triathlon together. And you know what they say about a family that plays together. --A.T. Hurley

An American Haunting: The Bell Witch

Boogie Woogie [Blu-ray]

  • BOOGIE WOOGIE BLU-RAY (BLU-RAY DISC)
An all-star cast has wicked fun in skewering the pretentions and superficiality of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.An all-star cast has wicked fun in skewering the pretentions and superficiality ! of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.

Caught Up!

  • ISBN13: 9780972800501
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Lions Gate Home Ent. Release Date: 01/20/2004It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass fo! r acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakIt's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the former and the stylish, tongue-in-cheek fun of the l! atter. Starring Bokeem Woodbine as Darryl, an ex-con who wants! to go s traight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting and wastes the laconic beauty of One False Move costar Cynda Williams, who plays a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. The DVD comes with a slew of music videos, the radio and TV spot, as well as a director's commentary track. But don't be fooled by all the goodies--they're simply a smokescreen to nudge the audience into thinking the film is important and worthy. Caught Up is a goofy mess of contradictions and implausibility. --Paula Nechak It's no wonder ! Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted! plot for laughs, it may have at least been a camp parody on ! the genr e, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakWhen Raven Klein, a bi-racial woman from Iowa moves to Atlanta in hopes of finding a life she's secretly dreamed about, she finds more than she ever imagined. Quickly lured and lost in a world of sex, money, power-struggles, betrayal & deceit, Raven doesn't know who she can really trust!

A chance meeting at a bus terminal leads to her delving into the seedy world of strip-clubs, big-ballers and shot-callers. Now, Raven's shuffling through more men than a Vegas blackjack dealer does a deck of cards. And sex has even become mundane -- little more than a tool to get what she wants.

After a famous acquaintance winds-up dead -- On which shoulder will Raven lean? A wrong choice could cost her life! There's a reason they call it HOTATLANTA!

Enemy At the Gates : Widescreen Edition

  • Widescreen
BASED ON THE TRUE STORY OF WORLD WAR II RUSSIAN HERO VASSILI ZAITSEV, WHOSE FAME THRUST HIM INTO A PERSONAL WAR WITH THE NAZIS' BEST SHARPSHOOTER.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed ! Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon
Genre: Action/Adventure
R! ating: R
Release Date: 19-MAY-2009
Media T! ype: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet off! icer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

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