Selasa, 08 November 2011

Boogie Woogie [Blu-ray]

  • BOOGIE WOOGIE BLU-RAY (BLU-RAY DISC)
An all-star cast has wicked fun in skewering the pretentions and superficiality of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.An all-star cast has wicked fun in skewering the pretentions and superficiality ! of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.

Caught Up!

  • ISBN13: 9780972800501
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Lions Gate Home Ent. Release Date: 01/20/2004It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass fo! r acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakIt's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the former and the stylish, tongue-in-cheek fun of the l! atter. Starring Bokeem Woodbine as Darryl, an ex-con who wants! to go s traight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting and wastes the laconic beauty of One False Move costar Cynda Williams, who plays a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. The DVD comes with a slew of music videos, the radio and TV spot, as well as a director's commentary track. But don't be fooled by all the goodies--they're simply a smokescreen to nudge the audience into thinking the film is important and worthy. Caught Up is a goofy mess of contradictions and implausibility. --Paula Nechak It's no wonder ! Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted! plot for laughs, it may have at least been a camp parody on ! the genr e, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakWhen Raven Klein, a bi-racial woman from Iowa moves to Atlanta in hopes of finding a life she's secretly dreamed about, she finds more than she ever imagined. Quickly lured and lost in a world of sex, money, power-struggles, betrayal & deceit, Raven doesn't know who she can really trust!

A chance meeting at a bus terminal leads to her delving into the seedy world of strip-clubs, big-ballers and shot-callers. Now, Raven's shuffling through more men than a Vegas blackjack dealer does a deck of cards. And sex has even become mundane -- little more than a tool to get what she wants.

After a famous acquaintance winds-up dead -- On which shoulder will Raven lean? A wrong choice could cost her life! There's a reason they call it HOTATLANTA!

Enemy At the Gates : Widescreen Edition

  • Widescreen
BASED ON THE TRUE STORY OF WORLD WAR II RUSSIAN HERO VASSILI ZAITSEV, WHOSE FAME THRUST HIM INTO A PERSONAL WAR WITH THE NAZIS' BEST SHARPSHOOTER.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed ! Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon
Genre: Action/Adventure
R! ating: R
Release Date: 19-MAY-2009
Media T! ype: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet off! icer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

Get Carter

Senin, 07 November 2011

Downloading Nancy Poster Movie B 11x17 Maria Bello Jason Patric Rufus Sewell Amy Brenneman

Mel Gibson's Apocalypto (Widescreen Edition)

  • All Movie Guide - As the foundation of the Mayan civilization begins to crumble, one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic, end-times adventure. The Mayan kingdom is at the absolute height of opulence and power, but leaders are convinced that unless more temples are constructed and m
From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love ! for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.'Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters--many of whom don't survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose hi! s well-established fascination with bodily mortification in a ! litany o f assaults including impalement, evisceration, snakebite, and bee stings. It's a dark, disgusted vision, but Gibson doesn't forget to apply some very canny moviemaking instincts to the violence--including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife's mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he's doing. --Robert Horton

Beyond Apocalypto

!

More films directed by Mel Gibson

Apocalypto soundtrack by James Horner

Stills from Mel Gibson's Apocalypto (click for larger image)








The Police Tapes

  • During one of the most tumultuous years in New York's history, two filmmakers ride along with the police to document a city wracked by violence and destruction. Winner of three Emmys, the Police Tapes is a real-life autopsy of the dangerious nighttime work of beat cops in the South Bronx. This film, directed by Susan and Alan Raymond, is genius verite; a probing peek into the underbelly of soc
GANG TAPES - DVD MovieSouth Bronx, New York. 1976. During one of the most chaotic periods in New York City's history, two filmmakers ride along with the police to document a city wracked by rape, gang warfare, murder, arson and petty revenge. Winner of three Emmys, a Peabody and the duPont Award, THE POLICE TAPES is a harrowing, real-life autopsy of the dangerous nighttime work of beat cops as they try to contain a community coming unraveled. In dramatically raw scenes, the officers of the 44th precin! ct let the camera "in on every secret of society," capturing explosive footage of a hostage situation, gangs strutting brazenly down the street, and murders impossible to solve. At the squad station and in the patrol car, cops speak candidly about their frustrations and fears in policing violent, crime-ravaged neighborhoods filled with angry, downtrodden people. From Hill Street Blues to Cops, the immediate and uncensored style of directors Alan and Susan Raymond influences a generation of police drama and reality shows. Perceptive and probing, THE POLICE TAPES is genius verité--a harrowing peek into the dark underbelly of society. DVD Features: Interview with the Filmmakers; Filmmaker Biographies; Interactive Menus; Scene Selection

Quiksilver Men's Sabang Beach Woven Shirt, Black, Small

web log free